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LP
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SN 1008LP
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Soul Note Vinyl present a reissue of Bill Dixon's In Italy - Volume One, originally released in 1980. Bill Dixon one of the great visionary composers and improvisers in modern creative jazz, In Italy - Volume One was recorded in Milan in 1980 and released on Soul Note. A wide-open tapestry and a rare example of open interaction between pulse, melody, and pure sound as result of the work of a maverick quintet featuring Dixon, Arthur Brooks (trumpet), Stephen Haynes (trumpet), Stephen Horenstein (tenor and baritone saxophone), and the great open rhythm section of Alan Silva (bass) and Freddie Waits (drums).
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2LP
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TPR 241LP
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2021 restock. Trumpeter Bill Dixon and pianist Cecil Taylor, friends going back to their Truman-era school days, associated copiously in nearly every artistic fashion -- except making music together. Duets is their only meeting in studio apart from both artists appearing on Taylor's 1966 landmark Blue Note LP, Conquistador. In 1992 they made the briefest summer festival tour to Italy and France, budgeting in two additional days for this recording session. That musical output was prepared for a release that was shelved for more than a quarter century and now comes out as a posthumous release in tribute to both giants. The initiative to release this music began with the Bill Dixon Trust and was approved by Taylor in his final years. Now, a wider public will hear music that they both prized, documenting the extraordinary relationship between their musicalities. Duets is a remarkable and unique item in the extensive catalogs of both men's recordings. Fans familiar with Dixon and Taylor's distinctive styles will approach with curious uncertainty: How could it possibly work to blend styles of Joyce and Hemingway? Pollock and Kline? Nevelson and Brancusi? Bill Dixon and Cecil Taylor share a fundamental fiber of taste and reaction as the basis for their interaction. The complementary nature of Duets makes the case thoroughly that the project stands apart not just from the numerous duet projects of both instrumentalists, but from the wide field of improvised duets in this sector of the music. This double-LP set has been scrupulously mastered from the original tape, preserving both the high gloss and the brutal physicality of the recording. Plates cut by Sterling Sound's Grammy®-winning mastering master Steve Fallone have been pressed into virgin vinyl at QRP, and wrapped in a hand-numbered Old-Style Tip-On® gatefold jacket that Stoughton has perfected. The package also includes a new contextualizing essay by historian Ben Young, hitherto-unpublished photographs from the collaboration, and artifacts reproduced from the original release plans. Bill Dixon conceived this as a deluxe digital release; Triple Point is honored to bring Duets to vinyl reality in the 21st century. Strictly limited edition of 665 (hand-numbered).
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6CD BOX
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AE 51019251CD
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Limited restock; 2001 release. Odyssey is the definitive compendium of solo trumpet music by Bill Dixon, as compiled by the artist. Dixon (1925-2010) was known primarily for his small and large ensemble masterpieces of the decades between Intents and Purposes (1967) and Tapestries (2009). While he appeared infrequently in solo performances, he was continually evolving in studio through these years a remarkably nuanced and powerful solo music -- especially during the mid-1970s, as a counterpart to daily work with student orchestras on large ensemble pieces. Small offerings of these solo gems were published relatively obscurely in the early 1980s in Italy, and a larger batch were hand selected by the composer for a two-LP collection in 1985. In 2000, Dixon gathered into Odyssey the entirety of his oeuvre for solo trumpet, adding more than two hours of further solo pieces, and a small number of additional duet recordings. The tracks were selected and sequenced by Mr. Dixon, who curated the entire project for release on his own label, Archive Edition. Veteran engineer Kevin Reeves (Capitol, Universal; Grammy-nominated for Revenant (2015) work) mastered from original tapes exclusively, deriving unprecedented clarity on these exquisite recordings. The set spans five CDs of trumpet solos and one full disc of Dixon's enigmatic spoken commentary for the project. Two printed folios are also in the box: In one are further emphatic annotations by Dixon ensemble veterans Stephen Horenstein and Jason Zappa, and historian Ben Young; and the Dixon interview with journalist Graham Taylor-Lock. A second full-color folio Works on Paper reproduces 13 of Dixon's stunning ink and acrylic visual creations, mostly from the late 1990s, and unpublished prior to this set. Recordings span 1970-92, made primarily in Dixon's studio In Bennington, Vermont, with earlier examples from New York, and a later solo performance from Israel. Also included are Dixon's only released works for solo piano, the full set of "Relay" duets for his own piano and trumpet, an excerpt of the 1971 magnum opus "Summerdance", featuring drummers Laurence Cook and David Moss, and one preferred example of the duets with keyboardist Leslie Winston. Odyssey was released in 2001 -- assembled on the highest artistic level, according to Bill Dixon's production standards. It also has been subject to DIY distribution since that time, so in many ways this 2018 re-launch will be a first hearing for many.
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LP
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SV 119LP
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"After spending the early '60s playing in groups with Cecil Taylor and Archie Shepp, trumpeter Bill Dixon recorded his singular and visionary masterpiece in 1967. Intents And Purposes remains not only Dixon's defining statement as a composer, but also one of the most luminous moments in the history of avant-garde jazz. Combining orchestral timbres with free jazz intensity, Dixon leads a ten-piece ensemble including such heavyweights as Byard Lancaster, Robin Kenyatta, Jimmy Garrison and Reggie Workman. Closing each side of the album, 'Nightfall Pieces I' and 'Nightfall Pieces II' are evocative duets featuring Dixon's flugelhorn accompanied by flautist George Marge. With Intents And Purposes, Dixon creates a work focused as much on sculpting and defining space -- emphasizing moments of resonant stillness around which the compositions thrum and swell -- as on purity of expression. This first-time vinyl reissue is recommended for fans of Art Ensemble of Chicago, Anthony Braxton and Henry Cow. 'One of the richest and most compelling LPs to taunt and tempt listeners into a life of freakdom.' --John Corbett."
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LP
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JD 117LP
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Jeanne Dielman present a reissue of The Archie Shepp & Bill Dixon Quartet, originally released in 1962. The debut as a leader for both Archie Shepp and Bill Dixon, two formidable members of the free jazz and avant-garde elite. Rounding out the quartet are bassists Reggie Workman and Don Moore, and drummers Paul Cohen and Howard McRae, each on various tracks. While the album undoubtedly swings, this piano-less quartet definitely prefigures the trailblazing free jazz work the two leaders would be involved in for the remainder of the decade, and beyond. An essential piece of early free jazz.
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CD
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IN 996687CD
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"The unique quartet recordings by Archie Shepp and Bill Dixon, for the first time ever on CD. As a bonus, a long unavailable sextet studio session by Archie Shepp & the New York Contemporary Five and an interesting septet session by Bill Dixon."
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